VI
Memorial's Without the Walls
George
Sterling, San Francisco's beloved poet, envisioned a bridge across the Golden Gate,
"to stand," he wrote, "unaltered in its magnificence, to bear
witness to what manner of men were those who could dream with their souls and shape
with their hands earth's most colossal fabrication. "
"How
little did Portola dream," he continued, "gazing down from the San
Matean hills, of the long constellations of light that should girdle, nightly,
the Bay below.
"How
little did our owned Argonauts, come hither to drain California of its gold and
then return to what they fondly called 'God’s country,' dream of the empire
they were to found and of the royal city that was to be its
standard-bearer!"
Sterling's
untimely passing forbade him the privilege of seeing the Golden Gate and the Bay
spanned by two "colossal fabrications."
But
his city has not forgotten George Sterling.
His "cool grey city of love" is faithful to his memory. On June 25, 1928, a George Sterling memorial
was dedicated in the heart of old San Francisco. It was Spring Valley, through Edward F. O'Day, editor and
scholar, and friend of the poet, that gave this city the Sterling memorial.
In
1858 John Bensley who rests in Laurel Hill, gave San Francisco its first water supply. Tapping Lobos Creek, he carried the water to
two reservoirs on Russian Hill, one at Lombard and Hyde, the other at Francisco
and Hyde. Lobos Creek has long since
ceased to supply this city with water, but the reservoirs are still in
use. John Beasley's water works were
absorbed by Spring Valley Water Company in 1865; and Spring Valley in turn was
purchased by the municipality.
The
Sterling memorial was placed on a little bit of ground behind the old Lombard
Street reservoir, with an entrance from a flight of steps on Chestnut Street,
it consists of a bench done in decorative tile at the end of a parterre of plane
trees. Inset in the bench is a bronze
tablet, placed by Spring Valley Water Company in 1927, bearing the words:
TO REMEMBER
GEORGE STERLING
1869-1926
O singer, fled afar!
The erected darkness shall but
isle the star
That was your voice to man,
Till morning come again
And of night that song alone
remain.
This
quotation from Sterling's "Ode to Shelley," is followed by a
selection--words and music--from the "Song of Friendship" which was
the joint composition of George Sterling and Uda the Waldrop. This spot of delightful intimacy is to
receive by official action the name of George Sterling Park.
San
Francisco's two colossal fabrications, the Golden Gate Bridge and the San
Francisco-Oakland Bay Bridge, are lasting testimonials to the working together
of the lawmaker, the taxpayer, the engineer, and labor. Congressman Richard J. Welch will be
remembered; Joseph B. Strauss, Charles H. Purcell, and Charles Derleth, Jr.,
will not be forgotten in the splendor of these Titanic monuments over the
graves of the bridge-builders who lost their lives in the swirling waters far
below the Golden Gate and beneath the tides of San Francisco Bay.
There
are other memorials in the vicinity of San Francisco outside the walls of
cemeteries; some are merely centaphs, and some are veritable monuments over
graves. The body of the Reverend Thomas
Starr King, California's pioneer preacher who died March 4, 1864, when scarcely
forty years of age, was taken first to Lone Mountain. The chronicles of the day record that on September 22, 1864,
"the remains of the late Rev. T. Starr King were removed from the vault at
Lone Mountain and entombed in the sarcophagus in front of the Unitarian
Church." When the growth of this
city necessitated tearing down the original Starr King Church to make way for
office buildings, the tomb of Thomas Starr King was moved with the church to
its presence location on Geary Street at the corner of Franklin Street.
That
California was saved to the Union was due in large measure to the overmastering
patriotism, the fiery eloquence, and unceasing labor of Thomas Starr King. He is not forgotten. On October 27, 1892, a monument in Golden
Date Park was dedicated to him. It is
the work of the sculptor Daniel Chester French. The laurel trees have grown around its base and have partially
concealed the legend:
In Him Eloquence, Strength and
Virtue
Were Devoted With Fearless
Courage
To Truth, Country and His
Fellow Men
1824-1864
In
1913 the legislature of the State of California appropriated ten thousand
dollars for a bronze bust of Thomas Starr King to be placed in the Capitol at
Washington. "Has he lived in vain,
who, Priest of Freedom, may ye one," said the poet Whittier.
For
the National Hall of Statuary, California has very fittingly chosen Thomas Starr
King, and Father Junipero Serra. This
choice of the people was confirmed by the State Legislature of 1927. It is interesting to note that New Jersey's
two distinguish citizens whose statues were installed in Statuary Hall over
forty years ago, are Philip Kearny and Richard Stockton; names well known to
California pioneers. Haig Patigian, a
sculpture of ability and rare genius, was chosen by the Commission to execute
the statue of Thomas Starr King for the National Hall of Statuary. It is a fine piece of work.
A
monument has been erected to General Edward Richard Sprigg Canby at the spot
where he fell, in the lava beds of Northern California, when he was
treacherously murdered by Modoc Indian chiefs.
From his boyhood home in Crawfordsville, Indiana, young Canby went to
West Point. At Crawfordsville to his
father, Dr. Israel T. Canby, was receiver of the land office for many
years. For a time in San Francisco's
early days, Major Canby was stationed on the Pacific Coast and was much loved
by all who knew him at Monterey, at Benicia, and at San Francisco. After his promotion for gallant conduct
during the War with Mexico, he served as Assistant Adjutant General of the
Pacific Division from February 27, 1849 to February 22, 1851. He served through the Civil War. In 1870, when he was Brigadier General of
the United States Army, he consented to take command of the Department of the
Columbia, a difficult post on account of Indian disturbances. While holding a peace conference in the
vicinity of the Modoc lava beds, on April 11, 1873, he was murdered. General Canby's graves is in Crown Hill
Cemetery, Indianapolis; but the monument erected to his memory by the Native
Sons and Daughters of the Golden West in Modoc County, California, is a
cherished shrine.
Hundreds
each year to see that lonely spot called Canby's Cross, where the peace
commissioners went unarmed to meet the Modoc braves, and where Uncle Richard Canby
sacrificed his life in his heroic endeavor to bring about peace between red men
and the white. He did not altogether
fail, though he lost his life in his courageous effort to accomplish his
mission without bloodshed.
The Gjoa Expedition in command of Roald Amundsen with a crew of six men sailed from Christiania, Norway, June 16, 1903, spent twenty-two months at Gjoa Harbor, King Charles Land, taking magnetic observations to determine the location of magnetic North Pole. Proceeded westward and sailed through the North-West Passage the only time in history, in the summer of 1906. Arrived in San Francisco in October, 1906.
On June 18, 1928, he left Norway hurriedly, on an errand of mercy, in an attempt to rescue General Nobile and the crew of the dirigible Italia; he was never seen again. His grave is in the ocean, or in No Man's Land. But his monument is in the City by the Golden Gate. The people love a monument. The Gjoa, the staunch little vessel in which he sailed through the North-West Passage, was presented to the Golden Gate Park Commissioners by Captain Roald Amundsen and the Norwegians on the Pacific Coast. And now the Gjoa rides, firmly anchored to a rock, high up on this sandy beach where Golden Gate Park and the Pacific Ocean meet.
The Lick Observatory on the summit of Mount Hamilton, at an elevation of 4,209 feet, is the monument which marks the grave of James Lick who died in San Francisco, October 1, 1876, aged eighty years. He was first buried at Lone Mountain Cemetery; but when the Observatory was completed and turned over to the University of California, the remains of James Lick who gave almost his entire fortune to public uses, including $700,000 for the Observatory, were buried in a crypt in the base of the pedestal of the great telescope.
"There was no fairer ambition," wrote Robert Louis Stevenson, "then to excell in talk; to be affable, gay and, ready, and welcome; to have a fact, a thought, or an illustration, pat to every subject....In short, the first duty of a man is to speak; that is his chief business in this world; and talk, which is the harmonious speech of two or more, is by far the most accessible of pleasures. It cost nothing in money; it is all profit; it completes our friendships, and can be enjoyed at any age and in almost any state of health....It is in talk alone that friends can measure straight, and enjoy that amicable counter-assertion of personality which is the gauge of relations and the sport of life."
It is said that San Francisco was the first city to recognize his charm and to erect a monument by which to remember Robert Louis Stevenson, and on the face of his memorial stone is inscribed the striking words from his "Christmas Sermon":
To Be Honest To Be Kind To Earn
A Little To Spend A Little Less
Robert Louis Stevenson's monument is in Portsmouth Square. It is beautiful and interesting. Designed by Bruce Porter and the late Willis Polk, it was placed in the plaza where Stevenson loved to sit and dream, and study humanity in the heart of old San Francisco. Stevenson died at his Samoan Island home, Vailima, December 3, 1894, in his forty-fifth year. He was buried on the summit of Mount Vaea, overlooking the ocean. On June 22, 1915, the ashes of his wife were brought to his Samoan Island resting place and laid with his concrete tomb. It was after the death of her husband that Mrs. Stevenson built the house designed by Willis Polk at Hyde and Lombard streets in San Francisco. But she did not live there along. She bought a ranch near Gilroy where she spent the summers with her family.
Near this place Frank Norris built the cabin remote from the haunts of men. He planned to live there with his wife and little daughter and there to write this sequel to "The Octopus"--to be the third number in his trilogy of the wheat. But he died untimely, and his friends have marked the spot he chose for work, with a massive memorial seat of unhewn stones, surmounted by and iron cross. Lloyd Osborne owns the ranch through which one drives to reach the Norris monument. It is high up on a hilltop far from the travelled way. A bronze tablet said in the rough rock pile bears the following inscription:
FRANK NORRIS
Simpleness and Gentleness
and Honor and Clean Mirth
1870-1902
Under the wide and starry sky,
Dig the grave and let me lie,
Glad did I live, and gladly die,
And I laid me down with a will.
This be the verse you grave for me:
Here he lies where he longed to be:
Home is the sailor, home from the sea,
And the hunter home from the hill.
--ROBERT LOUIS STEVENSON
Some of the silent denizens of the Lone Mountain Cemeteries were born more than in one hundred and fifty years ago. Although the City of San Francisco dates only from the middle of the last century there are headstones at Laurel Hill marking the graves of men born while the shadow of the Revolutionary War was still upon the land.
Frederick Abell Born in London June 4, 1798-July 21, 1859
Frederick R. Bunker July 4, 1800-December 24, 1891
Antoinette Beckh 1797-1856
Capt. R. B. Cunningham U. S. N. October 10, 1794-March 13, 1861
James Deering 1794-1882
John Dunn 1800-1881
Joseph C. Gummer Born in 1799
Mrs. Clarissa Gridley 1782-1857
Judge Fletcher M. Haight Born in 1799
William Harrison Martin Died April 28, 1868 Aged 71 years
Eliza Ross Martin Died in 1874 Aged 76 years
Captain Isaac Pixley was born in 1787
Pioneer I. C. C. Russ of the Russ Gardens 1785-1857
Lewis Saunders 1796-1856 A native of Kentucky
Mammy Sarah 1779-1869
Reverend John D. Spencer Derby, England 1793-1867
John Watkins Wilde 1798-1862 Born in Maryland
Woodworth, Selim E., 45.
Woodworth, William M., 45.
Wright, Harold L., 80.
Wright, S. S. 33.
YALE, Gregory, 2.
Yanke, Richard L., 44.
Yerba Buena, v, 18.
Envoy.
Younger, Maud, 53.
Younger, Dr. Wm. J., 53.
ENVOY BY EDWARD F. O’DAY
It is difficult for many of us who love San Francisco
to realize that some in our midst do not love Laurel Hill enough to insist on
its preservation as a Memorial Park.
In the preceding pages of this book is a wealth of
facts about Lone Mountain and Laurel Hill, facts known, for most part, to those
who specializes in the lore of their beloved city. But this specific bit of San Franciscana has been presented here
for the first time in such form that its cumulative effect is powerful, and its
significance is at last inescapable.
The moral of the story is that Laurel Hill must
remain. It is as though Laurel Hill
took voice to say, NOLI ME TANGERE, Do not touch me.
Frank Morton Todd went to the heart of the matter when
he wrote: "Lone Mountain Cemetery, as Laurel Hill is still called by the
older San Franciscans, is peculiarly the necropolis of San Francisco, and the
repository of many historical data. On
stone and mausoleum are chiseled memorials of all stages of the city's
life." And he added: "one tomb
is worthy to be a shrine of childhood," meaning the tomb of Woodward of
Woodward's Gardens.
The most sensitive souls of our yesteryears loved to
linger on that thought of a perpetual memorial. "Lone Mountain," said Charles Warren Stoddard, "a green
hill that looms above the graves where sleeps so many who are dear to us."
Strangers from afar were impressed with the sacred
beauty of this CAMPO SANTO. Is it
remembered that the famous Sir Charles Dilke, on a visit to San Francisco,
exclaimed: "Lone Mountain is the loveliest of all American
cemeteries."
When Lone Mountain Cemetery was projected in 1853 the
intention was to lay out twenty miles of avenues and to name these after
well-known Eastern burial places: Laurel Hill, Mountain Auburn, Greenwood, and
so on. It was not, therefore, the
presence of laurels that fixed to name we know. As a matter-of-fact the mountain abounded in evergreen shrub oaks
and that creeping mint of our peninsula called YERBA BUENA.
At its solemn dedication on May 30, 1854, the eloquence
of Colonel. B. D. Baker flashed like a sword.
Poems written for the occasion were read by S. B. Austin and Frank Soule,
the latter one of the authors of the "Annals of San Francisco." The religious services were conducted by the
Right Reverend W. Ingraham Kip, first Episcopal bishop of California.
Why reiterate these things? Because it is difficult for a devoted San Franciscan to turn away
from the subject of Laurel Hill while aught remains to be said. The mountain and the cemetery have dominated
us as they did the imagination of General Lucius Hardwood Foote:
Loominga up, Lone
Mountain lifts
Its cone against
the sky,
And softly
through the broken rifts
The sunlight for
a moment sifts
And gilds the
Cross on high.
In the midst of a previous (and happily unsuccessful)
Laurel Hill removal campaign a friend brought that distinguish San Francisco
printer, John Henry Nash, to the cemetery, promising him a special thrill. The master craftsman was indeed thrilled when
he read, on the A. A. Sargent monument: "Printer, Lawyer, Senator,
Minister-Plenipotentiary."
"And 'Printer' comes first, as it should," said Nash quietly.
Then Nash was told about others of Laurel Hill: Edward
Gilbert, printer, first editor of the Alta California, first congressman from
California; and Samuel Woodworth, printer-poet whose remains rest there for fifty
years. But first after Sargent it was
Gilbert that interested Nash, for Gilbert lies on a sunny hillside in the
burial plot of the Typographical Union.
"Surely," said Nash, "our Union will
always resist the removal of these parties." And he called it "the Union Chapel of the Dead."
"From the summit of this beautifully shaped hill,"
wrote Frank Soule, "may be obtained one of the finest and most extensive
use of land and water."
Frank Morton Todd expressed the same thought: "The
prospect from the top both Lone Mountain is an almost uninterrupted cyclorama of
San Francisco."
A cyclorama indeed!
From the top of Lone Mountain, where rises the beautiful San Francisco
College for Women, survey the Pacific Ocean, the Bay with its two bridges, the
opposite shores and the kindly half-circle of the San Francisco hills.
Behind those cypress trees to the south are the spires,
campanile and dome of St. Ignatius, with the buildings of the University of San
Francisco. Beyond spread Ashbury
Heights and a horizon line beautiful by Sutro Forest, Twin Peaks and Mount
Olympus. To the right of these the chain
of eminences curves downward to rise suddenly again at Strawberry Hill. And you see the tree-tops of Golden Gate
Park with the tower of the deYoung Memorial Museum well defined.
There in the foreground Richmond stretches to the ocean,
its roofs cross-hatched in the sunlight with the gayety of greens and reds and
pinks.
More church towers--Lincoln Park with the Palace of
Legion of Honor, and peeping up from the water, Mile Rock. The great mass of the Marine Hospital. Much nearer, the Roosevelt school of red
brick, the home of the Little Sisters of the Poor, Temple Emanu-El, the
Children's Hospital. And now Laurel
Hill is before us. May it remain with
us forever!
Lift your eyes.
There are boats on the Bay.
There are looms the magnificence of the Golden Gate span. We turn reluctantly from the trees and hills
and open spaces of the Presidio toward the first of the great skyscrapers and
apartment houses. And to small parks touched
deeply with green.
Russian Hill, the hotels of Nob Hill, the Shell
Building, and the Russ. The San
Francisco-Oakland Bay Bridge.
Now we have swept around to find in our foreground
Ewing Field and St. Elizabeth's Home, a convent-school and Calvary. Further away the City Hall and the Telephone
Building--how distant objects merge!
And then the Mission District to the San Bruno
Mountains. And the high climb of the
skyline to Buena Vista Park, with Lowell High.
We have turned full circle in a matchless cyclorama, finding
the landscape and waterscape of San Francisco yielding joy after joy in its
laughing happiness of beauty.
Seeing those from Lone Mountain, San Francisco is known
for what it verily is--a city of the soul.
Surely not a city that will disturb the earthly tenements
of the pioneers who made it so.